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[AUDIO]
[Congratulations, Barge, this morning you get something besides a regular voice broadcast. Today, you get music, the flowing notes of a recital played on the art room piano. The player is very competent, making only the most minor of mistakes - two missed notes, both of which stick in her memory like red flags to be noted the next time she plays. The piece itself is played from adagio to presto in different parts, lasting nearly six minutes, and when it's finished there's a heavy, exhausted yet satisfied sigh.]
That was Chopin's "Fantasie" Impromptu in c-sharp minor. I hope you liked it, it's taken me some time! But after how difficult it's been recently I thought some of you might appreciate it. [Plus she's very pleased with herself; you can hear the quiet pride in her voice.] I've been working on it for awhile, but now that I've learnt it I need a new piece to study. Can anyone think of a good one?
Not too difficult, please. There are some that I just can't play yet.
[SPAM]
[Esther is everywhere and nowhere lately, creeping through the ship like the proverbial mouse. After the other Barge she just doesn't want to face the people she was close to there, but it's a small ship and she can't avoid everyone forever no matter how awkward or saddening the meeting might be.
And she has to approach others for some things: to be let into the CES to chase leaves and roll in the grass, to give her time and supplies in the art room, to take her shift in the kitchen. For all these encounters she wears her bravest face and puts her best foot forward, praying that nothing gets too awkward.]
[Congratulations, Barge, this morning you get something besides a regular voice broadcast. Today, you get music, the flowing notes of a recital played on the art room piano. The player is very competent, making only the most minor of mistakes - two missed notes, both of which stick in her memory like red flags to be noted the next time she plays. The piece itself is played from adagio to presto in different parts, lasting nearly six minutes, and when it's finished there's a heavy, exhausted yet satisfied sigh.]
That was Chopin's "Fantasie" Impromptu in c-sharp minor. I hope you liked it, it's taken me some time! But after how difficult it's been recently I thought some of you might appreciate it. [Plus she's very pleased with herself; you can hear the quiet pride in her voice.] I've been working on it for awhile, but now that I've learnt it I need a new piece to study. Can anyone think of a good one?
Not too difficult, please. There are some that I just can't play yet.
[SPAM]
[Esther is everywhere and nowhere lately, creeping through the ship like the proverbial mouse. After the other Barge she just doesn't want to face the people she was close to there, but it's a small ship and she can't avoid everyone forever no matter how awkward or saddening the meeting might be.
And she has to approach others for some things: to be let into the CES to chase leaves and roll in the grass, to give her time and supplies in the art room, to take her shift in the kitchen. For all these encounters she wears her bravest face and puts her best foot forward, praying that nothing gets too awkward.]
