beingdifferent: (self-image)
[Forward-dated to flood's end]

[For the first time since she destroyed her room, Esther has toys. They’re little, cheap, plastic; miniature cars, figurines, rainbow ponies, superheroes, toys that squawked or played music or changed into something else when you pushed a button. She has perched on the deck’s railing, resting the pile of them in her lap, and tosses them off the ship one by one.]

I’d like to forget that ever happened, please. Don’t remind me.

Private to Jean )
beingdifferent: (and so misunderstood)
[Open spam]
[These last few weeks have been grey and listless for Esther, and today is no different. Still debilitatingly self-conscious, she saves her showers for the strangest possible hours, waking at three A.M. to bathe; she keeps her head down during the dinner shift and follows orders directly; she haunts the art room, both painting pieces (these are skilled, furious, sexual, distinctly adult, with nothing childish at all about them) and playing the piano (she has been perfecting her Rachmaninoff obsessively); and wandering through the gardens or hanging around the door to the CES hoping for access.

She hopes for solitude, but many hopes don't pan out.
]

[Private to Lydia]
[After the pairing is announced Esther briefly reviews Lydia's posts to the network and steels herself, slipping back into, if not a childlike role, at least a gentle one. There isn't a real point to denying her age with Lydia, though she still presents herself with an infantile appearance; she knows or she doesn't know, and Esther is not worried about either option. When she contacts her new temporary warden, she's sure to be demure and agreeable, making a neutral observation.]

Your name is Lydia? That's very pretty. I'm Esther; pleased to meet you.
beingdifferent: (raven red and white)
[Neither Esther or Rorschach are the talkative type and when he goes a little while without contacting her she doesn't think much of it, but it's been half a week since Esther has seen so much as a swirl of ink, much less heard his voice. After unsuccessfully trying to contact him via communicator she ventures down to his door, only to find it blank and generic. No one answers when she knocks, and the door opens into a Spartan bedroom.

Her response is largely emotionless as she walks back to her cabin. For awhile she considers saying nothing, seeing how long she can last without a warden. But this would spoil the "cooperative inmate" image she's been trying to establish since Bond revealed her, and eventually she sends a brief Bargewide message out.
]

[Text]
Rorschach is gone.
beingdifferent: (what are you going to do? hit me?)
[Due to the death toll, the overwhelming effect it has had on her, Esther is reluctant to show her pale face. The pain is excruciating, occasionally sending her into spasms and crying fits, but she resolves to fight her way through it. She will not let pain defeat her, she never has. She will tolerate it.

The people badmouthing the port, or refusing to admit it even exists, however - that she cannot abide. The Risen Empire had been virtually perfect, and she cannot imagine a better world to live in; it's one place she's ever visited where she could have survived, been accepted, succeeded, and she can't help but take it personally. Even the death toll doesn't diminish her love for it. Her voice is cracked, still strained, but the conviction and thrill in it shines through.
]

That was beautiful. It was worth every second.

Private to Rorschach, the Emperor )
beingdifferent: (i never said that)
[AUDIO]
[Congratulations, Barge, this morning you get something besides a regular voice broadcast. Today, you get music, the flowing notes of a recital played on the art room piano. The player is very competent, making only the most minor of mistakes - two missed notes, both of which stick in her memory like red flags to be noted the next time she plays. The piece itself is played from adagio to presto in different parts, lasting nearly six minutes, and when it's finished there's a heavy, exhausted yet satisfied sigh.]

That was Chopin's "Fantasie" Impromptu in c-sharp minor. I hope you liked it, it's taken me some time! But after how difficult it's been recently I thought some of you might appreciate it. [Plus she's very pleased with herself; you can hear the quiet pride in her voice.] I've been working on it for awhile, but now that I've learnt it I need a new piece to study. Can anyone think of a good one?

Not too difficult, please. There are some that I just can't play yet.

[SPAM]
[Esther is everywhere and nowhere lately, creeping through the ship like the proverbial mouse. After the other Barge she just doesn't want to face the people she was close to there, but it's a small ship and she can't avoid everyone forever no matter how awkward or saddening the meeting might be.

And she has to approach others for some things: to be let into the CES to chase leaves and roll in the grass, to give her time and supplies in the art room, to take her shift in the kitchen. For all these encounters she wears her bravest face and puts her best foot forward, praying that nothing gets too awkward.
]
beingdifferent: (magic's in the makeup)
[Hallway Spam]
[If there is a princess of the Barge, Esther Coleman is it.

When she walks the halls she does so with the grace of royalty, the impression of grandeur extending beyond her disturbingly grown-up dresses, her sophisticated makeup, and the pearl-handled revolver she keeps tucked at her waist. It comes from belonging, pure and simple: there has never been a place where she's better fit in. Yes, she still has secrets, still keeps her true identity close to her chest and has only shared hints of her age with those closest to her, but for once, she doesn't need to hide it. Back home, she had been deprived of ever taking power unless it was seized illegitimately; here, she is important, honored, worthwhile. And her power over the inmates, pathetic animals that they were, was not to be forgotten either.

Although her particular animal had been giving her a headache, as of late, and because of a warden's meddling, no less. These things happened, and it hadn't been the first time another warden had overstepped their bounds with her inmate. She doesn't doubt Aeryn's reasons for occupying Maladicta's time are good, but still the woman has toed into Esther's territory and she is not taking that anywhere near as lightly as her smile suggests.
]

[Private to Aeryn]
Ms. Sun, may I enquire as to why you've spirited my inmate away? I've no objection to you spending time with her, of course, but as you know I prefer to be consulted on these matters.

Maladicta, are you enjoying your time with the nice lady?

[Sometime later, filtered to wardens:]
My friends, I believe some confused individuals on board mean to raise some sort of resistance among the inmates. [She smiles, shaking her head a bit.] I recommend isolating your inmates quickly and seeing to it that they understand the foolishness of this idea, by whatever means necessary.

[Private to Bianca]
Excuse me, madame, but I wonder if you and yours might be willing to give me a hand. [Never for nothing, of course; but she has been more than loyal enough to perhaps have earned herself a favor.]

(OOC: Esther is affected, is Mal's warden, and is also probably draconian in keeping track of the Barge's coffee. Her Mirror self is still disguised as a child but has no issues embracing her sexuality and won't hesitate to flirt, so… possible age-related squickiness in the comments?)
beingdifferent: (help me? i'd help you.)
[Once again it's a video today, and Esther is fresh-faced and bright-eyed, obviously not too disturbed by recent events. Her communicator is set up on her bedside table, catching the gauzy canopy of her bed behind her and allowing her to use her hands to sign.]

Excuse me. I would like to ask a favor.

Some of you are teachers for the older kids. I don't want to go to school, but is there anyone who could teach me something fun? How to make something or play something. This place can be so boring sometimes. [She quickly amends, so as not to offend anyone:] But I like the library and the art room and the kitchen. During the port I learned how to fish, and I liked that too. Sometime, I'd like to do it again.

Do any of you know how to do things like that?

[OOC: Esther is affected for the flood and has memory dates with Lua, the Emperor, Dent, and Ned, though everyone is welcome. CW: The memory threads may involve themes of violence, death, and sexual abuse, and are marked.]
beingdifferent: (all the paintings tell a story)
[Open spam]

[Today, Esther is inside the art room. It’s quickly become her favorite area on board, a place where she really gets to create and experiment and play. Drawing and painting are small pleasures, and after experiencing a snippet of her earlier captivity she found herself almost grateful. Almost. Not grateful enough to forgive having to relive that time, but that realization is tucked away in her mind as soon as it’s made. There will be time for all that later; for now, she has artwork to make.

And she’s singing:
“When you wake up the notes are wrong,
The song has vanished with a dream.
Well that‘s the story of my life.”


Facing an easel Jesse helped set up, she dips her paintbrush into the light brown paint and adds it to the canvas with broad controlled strokes. A few more lines sung and a little dark brown paint later the color takes recognizable shape: it’s a bear, out of place in an urban environment with tiny simple people around him. As she adds a pair of large eyes to her picture, Esther narrows her own in concentration. The bear’s muzzle takes on a small frown.

All her pictures tell stories.
]
beingdifferent: (i never said that)
[The first image the camera captures is a pair of large brown eyes, blinking sleepily before widening. They dart back and forth as their owner pulls the communicator back, showing a small pale face framed by dark curls, mouth curled into a frown. Zoom back a little more and the starry expanse from the deck is visible in the background.

The girl in the foreground bites at her bottom lip, licks it, looks around again before frowning at the communicator. She pulls it up closer, staring at the screen, and speaks one word with a distinct note of fear in her voice.
]

...Mommy?

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Esther Coleman

August 2014

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